Introduction

I'm Chis Jones, and welcome to my blog! As you can see it is all about music production. Every submission on here deals with different aspects of the occupation of music producer, and what all goes into the making of a great record.
The reason I chose to do my project on music production is simple. I have always loved music and I have felt for a long time that I had a Good ear for what sounds good and what is great music. I fumbled with the dream of being a musician, however I have come to realize that I am not musically inclined. So I wondered if maybe my place lie on the other side of the glass window, in the studio. recording artists and making them sound good. Turns out I learned alot more than I expected everything is so complex from writing the songs to getting an artist to recording dates even to the selection of the songs order on the album. Overall I had a great time doing this and finding out about something I love. If you have any questions please email me at rolltidefanseven@yahoo.com or just refer to my blog. I guess thats it so thanks for visiting and I'll be seein ya!

The Song

I AM

Feed me rappers
Feed me beats
I’ll crank out a tune
That’ll bring in the wheat

Now who am I?
Who am I?
Who am I?
I’m the producer

Smiles on our face
When we rollin in the dough
Got no worries now
A million albums sold

Now who am I?
Who am I?
Who am I?
I’m the producer

Go down in the books
Like the Beatles we’ll be
Everybody will be waitin to meet
After the concerts we play every night of the week

I am
Iam
Iam
I tell ya I am
I am
The best producer alive
I am the best producer alive

I Am.

Live Interaction

Chris Jones

Mr. Jenkins
Honors English 11
April 30th, 2009
Live Interaction
For my live interaction for my research project on being a music producer, I visited a local radio station and received a tour. As I was led around the station I got to see many different rooms that all housed different equipment. I also got to learn about radio stations in general and how the one I visited was different from others.
I was first led around the outside of the building and got to see where the employees park and such just to get familiar with the property. While walking outside my guide shared with me some insight as to what made this station different. He pointed out that the radio station was its own building here and that most other stations in much bigger cities such as New York and Los Angeles are usually housed in a skyscraper with other businesses due to different reasons whether it be financial or geographic. Another interesting thing he pointed out was that the transmission tower was in view from the station. Most stations can be miles away from their tower and often share it with other independent broadcasters. I was then taken inside and shown the broadcast room. The room consisted of a console, microphones and a CD player. My guide told me they had recently got rid of their old turntable and put it in storage. The console controls the station, everything that is broadcasted on the air waves runs through that. The computers have software that edits songs and phone calls for them. The microphones are an intricate part of the studio and are used for the hosts and interviews on the air. The other room I was shown was the production room which is where the talk shows are formulated and the music mixed and cued so the folks in the broadcast studio don’t look stupid. The final room he showed me was kind of a gift room. It was full of things from platinum records to signed guitars that artists and music producers had given to them for promoting a song or helping to sell records.
And there you have it my live interaction, my tour of a radio station.

Producing Hit Records - Book Length

Chris Jones
Mr. Jenkins
Honors English 11
May 2, 2009
Producing Hit Records
For my book length source review I searched long and hard for the right read that would lend the most information to my study. After many a strenuous search, I found Producing Hit Records: Secrets from the Studio. This novel was chalked full of the kind of information I was looking for. To make it simpler, I had questions, and this book had all the answers. As I flipped through the page so methodically, I realized that it was broken down into the different stages of the producing process, with each chapter offering its own insider tips and tricks of the trade relevant to its part. It also addressed other issues such as well known music producers of the times. This was a long list of names with myself only recognizing one, Ben Harper, whom is also an artist himself with his own songs and performances and such, which is apparently how a lot of the top producers are, they make CDs with bands and then they also make their own stuff. After all was read and done I reflected back on my journey and decided the best section was the one on how producers build relationships with artists and find talent to sign to their label.
The process in which a producer tries to get a new artist or old favorite back in the studio is known in the biz as “The Courting Process” (Farinella, pg.85). One thing that is almost always a factor in this is the producer and artists reputation, neither one wants to align themself with riff raft. Producers look for artists with a collection of songs, personality, and attitude and perseverance. Like wise the artist looks for that perfect producer to mold with and usually boils down to a producer saying or not saying something they want to hear or not hear. The key to the ongoing relationship is due to both parties giving what it takes to make the other happy and comfortable. Nowadays with alll the independent producers around the way for them to find an artist is by hopping around live clubs and music scenes to snatch up talent before the big label does. In the end, by that I mean once in the studio, the producer is hired for one thing, to be the boss, to control everthing and make everything is controlled. A positive experience could make a producer’s career happen with one band he happened to make a difference with.

Source: Farinella, David John. Producing Hit Records: Secrets From The Studio. New York: 2006. Print.

The Future of Music

Chris Jones
Mr. Jenkins
Honors English 11
10 April 2009
The Future of Music
I found an article on futureofmusicbook.com. The article was entitled, “Future of Music”, and was quite intriguing. The author, Dave Kusek, discusses the music industry and attempts to explain the drop in CD sales in the last few years. He writes about the evolution of music distribution, and how the music recording industry has fought every bit of change from the beginning, and having resisted in that manner has ultimately led to where the industry is today, in a downward spiral that seems to be gaining speed and never slowing up.
In the beginning, music was distributed first through the selling of record albums, then moved to the 8-track, then after that it went to cassettes, and from there evolved into the CD, and finally the MP3. And that is the answer to the record company’s problems, the MP3. Once music went digital in that form all was lost. Kusek suggests that the problem could have been remedied back when they first started if record companies had made a partnership with the MP3 distribution method, but instead fought it and lost. Sure the short term battle was one but the war has taken its toll and led to such things as Itunes, and Amazon. Nowadays people can get music for cheap or even free, and they know it. And that is through file sharing, which is how Itunes got its start. The music industry missed the boat when MP3s came around and now their future is in jeopardy. Sure they have partnerships with some music distributors that charge for there music, but profits will never be the same. And there will never be a legitimate way for them to catch up with the way things are now. Bottom line is music is evolving and evolution is the future, and eventually music may end playing a similar role as televison does. At this Kusek notes music will be, “a service that you subscribe to that is bundled into your bill.” (Kusek, 1)


Kusek, Dave. Future of Music. 10 April, 2009. .

The Truth About Being a Music Producer

Chris Jones
Mr. Jenkins
Honors English 11
10 April 2009
The Truth About Being a Music Producer
The article, “What is a Record Producer? Do You Really Want to Become One?,” on recordproducer.com, explains what a record producer is. The author writes about the occupation and what it entails. It talks about the hassles and what is expected of oneself in this field. He gives numbing realities about the business and how many aspire to be a producer, however, many of whom do not know the actualities of the job, and among those that do, there is one in about every few hundred that ever make it into the biz, and even then the longevity of a career is very questionable.
The author begins by stating that he feels the problem for most people that aspire to be a producer is they have this desire due to misconceptions they may have that have been fueled by media coverage and the way the media portrays the life of a producer as a glamorous one. He says, on the contrary, that the job of a music producer is, to a real producer, “a job of work.” (Article, 1) After reading this my response was that there is more to it than just attending the VIP parties. As for how many people make it in this business, the chances are very slim. The author broke it down as, 1 in 100 people have the talent, and 1 of 100 talents have the determination, and 1 of 100 people that have both may be the only one that makes it into the music industry. So the chances are like 1/300. And even then the job is not a very stable one, and is most of the time, short lived. When I read this it finally made me realize that to be a record producer, you have to have more than just a love of music to be successful.
What is a Record Producer? Do You Really Want to Become One. 10 April, 2009. .

You Want to be Like These Guys

Chris Jones
Mr. Jenkins
Honors Eng 11
3 April 2009
You Want to be Like These Guys
Virgin Records is a rather large, small branch of the Virgin Group. Virgin Records is one of the biggest, well known, and profitable labels in the business. Virgin Records has signed the likes of The Sex Pistols, Rolling Stones, and Janet Jackson to name a few. The record label was started by super billionaire Richard Branson and he has built it up to what it is today. Of course, music is not all they do, since they are one of the big guns of the record producing industry.
Virgin Records was founded in 1973 and eventually became known as the Virgin Group. Many view The Sex Pistols as the first big artist to sign on with the company in 1977. Once things got rolling and more and more money came in, founder and CEO Richard Branson wanted to expand from being solely a music label to more broad endeavors. Thus, Virgin Group was formed. Opening up into over 200 different privately held companies, Virgin group not only consists of Virgin Records, but also, an airline, a soda company, a radio station, and even a railroad operation to name a few. The point I’m trying to make is that when you start a record label, ultimately you want to be like Virgin, and expand into other fields. Becoming a part of more than just the music business allows you to bring oodles of cash to throw at whomever you wish to keep your Label on "cloud 9." Yep, that’s how the big boys do it. Virgin group turns profits in the billions and funnels a lot to the record label, and of course its now billionaire founder, Richard Branson. When asked about his business philosophy, Branson replies, "Virgin is about doing things that really work, not just looking the part.....and making the whole process as fun as it can be." SOURCE: Virgin Group. 3 April 2009. http://www.fundinguniverse.com/company-histories/Virgin-Group-Company-History.html